“Danse Macabre” by Transgalactica
Transgalactica’s Danse Macabre begins with the unmistakable sway of a waltz, its roots drawn directly…
“Danse Macabre” by Transgalactica
Transgalactica’s Danse Macabre begins with the unmistakable sway of a waltz, its roots drawn directly from Camille Saint-Saëns’ classic composition but reimagined in a thoroughly modern frame. Instead of traditional rock instruments, the band leans on synthesizers and layered sound textures, crafting an atmosphere that is equal parts theatrical and futuristic. The absence of guitars…
“Papa Loves Ladyboys” By ReeToxA
ReeToxA’s Papa Loves Ladyboys opens with bright guitar lines that instantly set a lively tone, soon supported by a rhythm section that gives the track a steady groove. The blend of rock and pop textures feels classic yet refreshing, creating a sound that is as fun to dance to as it is to sing along…
“One Minute of America” by Bastien Pons
Bastien Pons’ One Minute of America presents itself as a fleeting fragment of sound, yet within its brief duration, it manages to capture an entire world. The piece begins with subtle field recordings that draw the listener into an almost documentary-like space. Footsteps and distant voices echo faintly, establishing a sense of realism before processed…
“Marginal Music” by Transgalactica
Transgalactica approaches Marginal Music with an ambition that combines concept and sound in equal measure. The piece begins in a reflective mode, where smooth textures and persuasive vocals gently question how listeners consume art in the digital age. This quiet introduction mirrors the routine nature of modern listening, where endless playlists dull the sense of…
“Now I’m Wiser” by John Smyths
John Smyths’ Now I’m Wiser is a track that wears its heart on its sleeve. From the first strum of the guitar, it places the listener in familiar country territory, yet there is more at work than genre alone. The arrangement blends the warmth of classic Nashville balladry with hints of Smyths’ rock upbringing, creating…
“Ånon MXXIV” by Tellef
Ånon Egeland’s MXXIV feels like a personal diary set to music, each track carrying with it fragments of memory, mentorship, and tradition. Over sixteen pieces, he leans on the Hardanger fiddle, standard fiddle, jew’s harp, and overtone flute to bring both familiar and less-heard tunes into focus. The playing is measured and thoughtful, never rushing…
“Humbug” by ReeToxA
ReeToxA’s “Humbug” opens with a riff that instantly sets the tone, bold and raw, yet born from an unexpected slip of the hand. That accident gave way to a melody that feels both familiar and strikingly alive, carrying the grit of classic rock with the freshness of something deeply personal. The band builds around it…
“Call” by ReeToxA
ReeToxA’s Call is a ballad that immediately sets itself apart with its understated beauty and haunting atmosphere. The instrumentation opens gently, with shimmering guitar lines that feel like fragments of memory drifting in and out of focus. The bass enters with warmth, tying the sound together while the percussion remains subtle, offering rhythm without disturbing…
“Whispers” by Mark Masguro
From the very beginning, Whispers reveals itself as a track built on atmosphere and intention. The opening textures float gently, surrounding the listener with a sense of weightless space. When heard through headphones, the details are striking, as if the sound is circling in slow motion within the mind. This careful use of spatial design…
ALBUM REVIEW: Cheap Japanese Bass – Steve Lieberman
Steve Lieberman, better known as the Gangsta Rabbi, returns with Cheap Japanese Bass Opus 236 1st Aria, an album that feels less like a polished product and more like a living document of one man’s half-century journey in sound. Having carved out his own niche under the banner of militia punk, a volatile fusion of…
