Prem Byrne’s “Commercial Break” doesn’t just play through your speakers, it confronts you. The track begins with a persistent synth pulse, setting a tense atmosphere that feels like the static buzz of a television moments before breaking news. Layers of electronic textures swirl around a punchy rhythm section, combining sharp percussion with a bassline that…
Tellefs’ “Brooklyn Bar” unfolds like a nocturnal stroll through an intimate jazz club in a dream tinted city. The taragot, played by Tellef Kvifte, instantly commands the listener’s attention. Its reed timbre bridges folk resonance and jazz fluidity, offering both warmth and intrigue. With guitar, bass, and drums supporting, the ensemble feels rooted yet open,…
Marc Soucy’s “Turn For The Worst” is a seven-minute instrumental journey that captures the pulse of a bustling city with surprising grace. From the first piano motifs, there’s a cinematic quality that feels both grand and personal, as if you’re being led through urban streets at dusk. The piece merges neo-classical influences with the raw…
Ashia Ackov’s “Comme Une Fleur: part deux” begins with a delicate groove that immediately sets a romantic tone. The soft brush of percussion pairs beautifully with a smooth, understated bassline, creating a gentle rhythm that feels as if it were made for slow dancing in dim lighting. A subtle guitar melody weaves through the track,…
Bastien Pons’ “Blinded” feels like stepping into a room where every surface vibrates with quiet tension. The track opens with a low, rhythmic pulse that immediately sets a brooding pace, but it is the surrounding layers that give the piece its unsettling character. Industrial textures crackle and breathe, while scattered melodic fragments float in and…
“In My Dreams” by KC Star and Austen the Poet is a dreamy pop ballad that blends emotional vulnerability with polished, atmospheric production. The track opens with shimmering synths that immediately set a floating, weightless mood. Layered harmonies between KC Star and Austen glide effortlessly over the instrumental, creating a soundscape that feels both intimate…
“Outer Space” by I, Captain delivers a vibrant mix of rock, funk, blues, and punk, wrapped into an adventurous concept album. Pete Rogers, the sole creator behind I, Captain, performs every instrument on the album, allowing his musical vision to stay consistent and personal. The basslines carry a funky, rhythmic groove that immediately hooks the…
“Hinterlands,” the sixth track on Hverheij’s Fields of Passage, presents a quiet but powerful sonic landscape shaped by mood, tone, and texture. From the first few seconds, the piece creates space with sustained guitar layers that shimmer gently against a subtle rhythmic backdrop. The pairing of a Hagstrom F-100 and a Fender Telecaster is key…
From its opening bars, “Too Cool For You” flows with a laid-back groove that instantly commands attention. Marc Soucy blends funk-inspired rhythm with vintage rock textures and a silky jazz undertone, crafting a sound that feels both nostalgic and confidently fresh. The bassline is thick and smooth, paired with crisp drums that create an easygoing…
Right from the opening beat, “Gotta Get Outta the House” pulls listeners into its quirky yet infectious rhythm. A vibrant blend of tight percussion and elastic basslines anchors the groove, while angular guitar riffs inject a sense of movement and tension. The track builds with layered synths that dart in and out, adding bursts of…
