Listening to “Point Blank” today feels like stepping into a moment where instinct and intention meet. TiLT 360 builds the song around a dense instrumental foundation that immediately commands attention. The guitars are heavy but controlled, locking into a groove that feels physical rather than chaotic. Bass and drums move with purpose, creating a tight…
Marc Soucy’s “Tashkent Club Fire” is an instrumental piece that invites close listening through its intricate blend of electronic and acoustic elements. The track begins with a steady pulse that slowly unfolds into a rich soundscape, introducing one sonic texture after another with careful intention. Rather than build toward a familiar climax, it moves organically,…
Steve Lieberman opens “Skinheads in My Yard Oy Vey” with a gritty bass riff that immediately sets a confrontational mood. Over six minutes long, the track fuses raw punk energy with experimental metal touches, anchored by Lieberman’s distinctive electric bass work. The song’s backbone is built on jagged bass lines and sharp, choppy guitar chords…
“Seasick” arrives as Bog Witch’s most recent single, released on April 22, 2025, via Mermade Records. Behind the project is Atlanta-based songwriter and multi-instrumentalist Wendy DuMond, who has built a reputation for blending folk, indie, and experimental sounds into engrossing stories. Musically, Seasick unfolds over a minimalist “seascape” of ukulele and autoharp, punctuated by sparse…
A pick‑slide screams like a match across sandpaper, and the fuse is lit. “All Is Well In Hell” detonates with a double‑kick barrage that feels less like percussion and more like structural failure, hurling you into Ben Rankin’s purpose‑built inferno. Rankin tracked every instrument inside a suburban Canberra bedroom, yet the mix hits with festival‑stage authority: guitars roar in tectonic…
Steve Lieberman, better known as the Gangsta Rabbi, returns with Cheap Japanese Bass Opus 236 1st Aria, an album that feels less like a polished product and more like a living document of one man’s half-century journey in sound. Having carved out his own niche under the banner of militia punk, a volatile fusion of…
A vinyl crackle drifts across the stereo field, and “Real Life” blooms like a Polaroid dipped in sunrise. Under the kazaizen banner, Jonny Kasai stacks Rhodes chords, tape‑warped guitar swirls, and a bassline that prowls in rubber‑soled stealth ingredients straight from a ’67 psych session, rendered with headphone‑age clarity. The first chorus doesn’t crash; it exhales, and…
There’s a tension in Later Than You Think that feels almost cinematic—like the moment in a film when the protagonist realizes they’re in too deep, but instead of retreating, they push forward. Goddamn Wolves doesn’t just perform this track; they unleash it. From the opening pulse of the drums, there’s an urgency that grips the…
“Jody” unfolds with a quiet sincerity that immediately captures attention. ReeToxA moves away from their usual intensity, instead crafting a piece that feels personal and deeply human. The song opens with gentle acoustic chords that shimmer with warmth, joined by restrained percussion that keeps the rhythm soft and steady. Its structure is simple but deliberate,…
Memories don’t just linger in Aimee Iris’ Story—they expand, take shape, and build a world around you. From the first note, the song doesn’t feel like a mere melody; it feels like stepping into a dreamscape where past experiences aren’t just remembered but relived. The beauty of Story is its ability to transform nostalgia into…
