A muted guitar pluck floats into the air like a spark at the start of “We Friends,” and before you know it, you’re pulled into a world where the night feels young, and the people around you are the ones who matter most. Missoury, alongside Doobieboy Spliff, crafts a space that doesn’t just sound good—it feels lived-in, like a house party where every glance carries history and every beat makes a promise.
This isn’t experimentation for the sake of it. The blend of soft-string textures, fluid vocal layers, and a simmering undercurrent of pop rap energy hints at something bigger: the early blueprint of a sound that could carve out its own corner of modern music. It’s playful, yes, but also surprisingly reflective, capturing the rush and confusion when friendship teeters into romance.
Missoury’s performance is a quiet show of strength, never forcing a moment but letting the melodies and rhythms speak for themselves. Spliff’s verses weave seamlessly through the haze, grounding the emotional highs with a hint of realism. Together, they don’t just tell a story they invite you to remember your own.
“We Friends” manages to balance soulful warmth and crisp modernity without ever slipping into the predictable. The song doesn’t scream for your attention—it earns it, little by little, with every beat that rolls, every word that catches just right. In a landscape crowded with noise, this is the track you’ll want to play again when the night is winding down but the feelings are just getting started.
