I, Captain’s Turntable, arrives with a timeless quality that immediately separates it from the rush of modern releases. This third full-length album from Pete Rogers feels shaped by instinct and experience, drawing listeners into a world where rock, alternative, blues, and groove coexist naturally. Rather than sounding nostalgic for its own sake, the album channels…
Ånon Egeland’s MXXIV feels like a personal diary set to music, each track carrying with it fragments of memory, mentorship, and tradition. Over sixteen pieces, he leans on the Hardanger fiddle, standard fiddle, jew’s harp, and overtone flute to bring both familiar and less-heard tunes into focus. The playing is measured and thoughtful, never rushing…
Steve Lieberman, better known as the Gangsta Rabbi, returns with Cheap Japanese Bass Opus 236 1st Aria, an album that feels less like a polished product and more like a living document of one man’s half-century journey in sound. Having carved out his own niche under the banner of militia punk, a volatile fusion of…
“Outer Space” by I, Captain delivers a vibrant mix of rock, funk, blues, and punk, wrapped into an adventurous concept album. Pete Rogers, the sole creator behind I, Captain, performs every instrument on the album, allowing his musical vision to stay consistent and personal. The basslines carry a funky, rhythmic groove that immediately hooks the…
A child’s voice crackles through a lo-fi speaker. Not a greeting. Not a song. It’s a memorybeing exhumed. That’s how Beautiful Terrier begins with “School,” a track that doesn’t askfor your attention so much as it dares you to look away. It’s eerie, unflinching, and a warningshot: this album won’t be content with background noise….
