The guitar doesn’t just open Submission it carves its way in, dragging a growl behind it. From the first riff, there’s an unmistakable sense that something primal is at play, a storm gathering in slow, deliberate motion. Scott O’Brien, a veteran with more than three decades under his belt, taps into a sound that feels…
Bravo Charlio’s “What a Day, What a Week, What a Year” is a sonic journey through a cyberpunk-inspired soundscape that’s as captivating as it is inventive. From the very first distorted beats, the song demands attention, pulling listeners into a futuristic world where pulsating rhythms and evocative lyrics tell a vivid story. The production quality…
There’s a moment in Montana where time seems to fold in on itself. A quiet, almost imperceptible shift in the melody turns nostalgia from a passive remembrance into something active, something living. This isn’t just a song about looking back—it’s about how memories shape us in real-time, even as we try to move forward. Ambergrove…
Quietly unfolding from its first moments, Boy presents Baldy Crawlers at their most patient and inward-looking. The instrumentation is built around Martin Maudal’s handcrafted guitar sound, which feels textured and resonant rather than decorative. Hammond B3, bass, and additional guitar lines appear gently, supporting the core mood without drawing attention away from the song’s fragile…
Brian Mullins approaches “Hills of West Virginia” with a sense of quiet honesty that immediately frames the song as personal rather than performative. Rooted in his return to a hometown left behind decades earlier, the track captures the strange familiarity of coming back to a place that no longer feels unchanged. From the outset, the…
Marc Soucy’s “No This Isn’t Jazz Either” opens with an understated elegance, where each instrument enters carefully, almost as if testing the space. The electric piano creates the foundation, offering a calm yet curious mood that immediately sets the tone for exploration. The groove remains light but deliberate, guided by subtle percussion and a warm,…
A warning shot fires from the opening seconds of “Cheap Japanese Bass” raw, unapologetic, and impossible to predict. The beat doesn’t ask permission; it barrels forward, a noisy engine powered by sheer experimental will. Steve Lieberman doesn’t simply play a bassline; he unleashes a battleground of sound where structure and chaos wrestle for the upper…
Imagine stepping into a world where time slows, where the only things that matter are the shimmering synths and the vastness of space. “Satellite” by Supersonic Boy is a sonic passport to that world a track that propels you from earthbound reality to a drifting journey through stars. Opening with an ethereal blend of shimmering…
Xabi Guevara’s “Mi Vida” is a musical gem that transports listeners to a world imbued with romance, nostalgia, and vibrant cultural imagery. From the very first note, this loveable tune captivates, drawing us into what feels like the golden hues of an old western setting—a cinematic landscape where cowboy hats meet Spanish guitars. The opening…
“Brute” by The Red Lite District tears through the speakers with ferocity and conviction. As the second single from their upcoming EP Life Won’t Wait, it captures the Glasgow quartet at their most unfiltered. The track’s production, handled by Andy Miller at Gargleblast Studios, keeps the edges rough and the energy urgent, allowing the band’s…
