Marc Soucy’s “No This Isn’t Jazz Either” opens with an understated elegance, where each instrument enters carefully, almost as if testing the space. The electric piano creates the foundation, offering a calm yet curious mood that immediately sets the tone for exploration. The groove remains light but deliberate, guided by subtle percussion and a warm, measured bassline that acts as the composition’s steady center.
Throughout the track, Soucy toys with form and expectation. The piece shifts often, but never jarringly. Guitar phrases emerge like fleeting thoughts, appearing briefly before receding again into the mix. These moments feel conversational, as though each instrument is offering a small perspective rather than trying to dominate. Soucy builds tension not through volume or speed, but through restraint and contrast.
Rather than follow a clear verse-chorus structure, the piece evolves like a slow-motion panorama. Each phrase introduces a slight variation, creating a sense of movement without urgency. It is music that invites patience and rewards attention. Sound design also plays a quiet but important role—chimes, tonal shifts, and ambient textures fill the spaces between notes, making the composition feel immersive and whole.
What makes the song stand out is its sense of quiet confidence. Soucy does not try to impress with virtuosity. Instead, he chooses to build a world out of tone, feel, and timing. “No This Isn’t Jazz Either” is not an argument against genre but an invitation to ignore boundaries altogether. It highlights Soucy’s gift for thoughtful, intentional composition that lingers long after the final note fades.
